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How To Color Animation In Clip Studio Paint

Contents

  1. Getting to grips with Anime-mode coloring
  2. Clip Studio Paint's tools & how to ready them up
  3. Walkthrough

Role 1: Getting to grips with Anime-style coloring

Anime-style or Cel Shading coloring is a manner that mimics how traditional anime was animated. Information technology applied simple shading without blending to make it easier to animate.

To enhance this kind of coloring way, you lot tin use other tools like gradients or effects. You can even use filters to give an illustration a item atmosphere or feeling. Since this coloring style is very centre-catching, it is not simply used in animation but as well in illustration.

Advantages:

  • Depression difficulty level
  • Doesn't take a lot of time
  • Easily applied and changed
  • Easily adapted to other coloring styles


Part 2: Prune Studio Paint's tools and how to fix them up

In Clip Studio Paint, tools are organized past type. Each Tool has sub tool categories. The cartoon tools are all in the aforementioned category in the sub tool palette.

Tip: Endeavour out different Pen and Pencil tools to detect the ones that suit you lot. You tin utilise Pencil tools for sketching and Pen tools for line art. There are also lots of other brushes you tin use, such equally airbrushes for uncomplicated gradients and ornamentation brushes for making patterns. Additionally, you lot can too download more than brushes from Prune Studio Assets.

Once you lot've finished your inking, employ the pen tool and the make full tool to color. For this tutorial, we will be using the pen tools that produce more of a solid, opaque line, like the G-pen, for example. With the Make full Tool, we will mainly be using the Refer just to editing layer and Refer other layers options.

Permit's have a look at the Fill Tool's settings:

Apply to connected pixels only: if this is checked, it will fill the continued expanse. But if you uncheck information technology, it will not fill up the connected area, simply instead, it will fill up all the areas that are the same colour on that layer in the color you lot are filling with. For example, if you click on a bluish expanse, it will fill every blue area in the layer with the color yous cull.

Shut Gap: if set to 0, if you try to make full in an area and there are gaps in the line art, the color will fill areas that aren't enclosed. However, if yous increment the value, it will become less sensitive to pocket-size gaps in the line art and won't spill over every bit easily. Then once again, if set too high, it won't evenly fill small-scale areas.

Area Scaling: this will allow you to fill a fiddling fleck closer to your line fine art and help cover the edges between the fill and the line fine art. Only if you lot set it likewise high, it volition fill up by the line fine art, so delight be conscientious.

Scaling Mode: There are many options hither. You tin can play around with them to see what best suits your work.

Refer Multiple: this will allow you to refer to other layers when filling. Utilise this setting when you want to proceed the line art and colors on separate layers.

There are 4 options here:

  1. All layers: will refer to all layers on the sheet.
  2. Reference Layer: will simply refer to the layer that you ready as a reference.
  3. Selected Layer: will just refer to the layers currently selected.
  4. Layer in folder: volition refer but to the layers in the current folder.

Please employ them as needed.

With the default tools that Clip Studio Paint provides, the only difference between Refer only to editing layer and Refer other Layer is the usage of Refer Multiple. When you sympathise the differences between these tools, they will be easier to use. So there's no need to modify the setting each time; instead, you'll be able to choose the right tool for the job.

Opacity: this is how opaque or transparent the color is when you make full.

Anti-aliasing: this will soften the edges of the lines and make them await less jaggy.

Auto Select: otherwise known as the Magic Wand tool. This tool allows yous to select a specific surface area of the same color. The settings for Car Select are similar to the Fill tool.

Making Custom Tools

This time the goal is to make a fill and colour selection tool that ignores the threshold. For case, if y'all want to modify a specific color in the whole prototype or select a specific color to draw in.

To make your own custom tool:

  1. Starting time by selecting a default tool to use as a base.
  2. Click Create a copy of currently selected sub tool (the small icon with 2 squares and a + symbol at the bottom of the sub tool carte du jour), and you volition be able to make a new tool.
  3. Rename and modify its icon and colour so you can easily notice information technology.

At present you've got the base of your new tool; you can change its settings by clicking the spanner icon at the bottom of the Tool property tab. This fourth dimension, nosotros desire to fill all the specific colors in the image, and then uncheck Use to connected pixels only. To salvage the changes you've made to the tool's settings, click Save all setting equally default in the Sub Tool Detail dialog box. Afterwards saving, if you lot accidentally change the setting, yous tin can easily revert to them past clicking Reset all settings to default.


Role 3: Walkthrough

1. Sketch out your idea

2. Paint on the shading guides

Because the sketching stage is simply a crude outline of your thought, you don't have to spend a lot of time on it. This gives you time to focus on the direction of the light and where to put the shading. For now, don't worry near the colors.

three. Inking

For the line art, allow's apply a vector layer. Vector layers are different from raster layers. See this article for a good caption about how they're different: https://tips.prune-studio.com/en-usa/articles/600 You tin utilize whatever pen, pencil, or castor you like to practise line fine art. This time I used the G-pen and Real Pencil.

If yous desire more of a paw-drawn look, information technology'due south all-time to use a pencil tool. But if you want information technology to be sharp like in anime, the Chiliad-Pen volition assistance you lot achieve that effect.

4. Base Colour

Begin by creating a raster layer and place it below the line art layer. Then utilise the fill tool to lay down your base colors. Use the Refer other layers sub tool to fill in the line art layer. To stop white pixels appearing in between your lines and the base colors, apply the Fill to vector path option in the Tool Holding tab. Instead of filling up to the edge of the line, it will take the vector line into consideration, which ways it volition make full in all of the anti-aliasing parts of the line every bit well. If you get further into the tool settings, there's an Include vector path checkbox too. If checked, it volition fill to the center of the vector line.

If you're drawing a grapheme from a reference image, you tin utilize the subview to show the reference image and the color picker to make certain yous are using the same colors as your reference.

This is a very handy characteristic you can utilize instead of opening multiple reference images and switching through them.

If y'all want to modify a specific color, you can use the newly created fill up tool to easily alter the color.

5. Shading

If you determine your calorie-free source when sketching, you can then do your shading accordingly. First, create a new raster layer. Then select an opaque pen tool such as the Thousand-pen so that you can fill the color the shadows in evenly. So draw lines to create the shape of the shadows according to your sketch. Although we are using our sketch equally a reference, if you see room for improvement when drawing the shadows, then brand adjustments as you run into fit. Besides, be sure to use the newly created selection tool, and so you don't go over the line art'southward edges. Now, find the color you want, and then use the pen to draw the shadow'southward edges. Or if you lot see some areas that can be colored completely, practice it.

You tin can also use the fill tool for this pace. It'south best to keep the sketch layer, the line art layer, and the fill up layer in separate folders. And modify the make full tool setting from refer multiple to layer in folder. This volition be super helpful for filling in the colors!

6. Highlights

The procedure is the aforementioned as shading, but make sure you create a new layer for the highlights then they're easier to edit.

vii. Layer Management

Anime-way coloring is not complicated. So y'all shouldn't take too many layers. Fifty-fifty so, it's a good idea to keep your layers organized and named so they're piece of cake to find. Since you're not juggling too many layers, and you'll just be blocking in color, y'all tin utilize the choice tool to easily select any areas y'all want to adjust. If you want to make a work with more item, you can ever create more than layers later. Today, all the same, we are going to have it easy.

eight. Add more details to your illustration

For instance, add some blush to those cheeks!

For this step, select the pare color, then create a new layer and lightly use the airbrush over the cheeks to add together a touch of pink. If you want to add some gradient shadowing with the airbrush to other parts of the character similar the hair or clothing, don't go overboard – just add together a low-cal touch. Less is more here!

▼Animated GIF

9. Background

If you're non familiar with or sure how to depict backgrounds, a elementary and constructive way is to use patterns or decoration brushes.

There are some materials pre-loaded in Prune Studio Paint in the Material palette. You tin can also download more than from Prune Studio Avails.

After downloading, yous will find information technology in the Download folder on the Textile tab.

If you lot want to apply background or blueprint materials, just elevate them from the Material tab and drop them onto the canvas. Then use the object tool to adapt them every bit much as you lot like. In the case of brush materials, just drag and drop them to the subtool tab of your choice. Then you can use them every bit you would whatsoever other brush.

10. Decorations

Other than adding the background, you lot can add together other details to the foreground of the prototype, like sparkles, petals, or patterns.

11. Adjusting Colors

When you add the background, y'all might need to adjust its color to compliment the characters. Instead of recoloring the whole groundwork, you can make apply of Correction Layers.

The commonly used options are Tone curve, Color Balance, Hue/Saturation/Lightness, etc. This time we will adjust it a piddling so they don't contrast too much against the background.

In addition to Correction layers, y'all can hands adapt the color of your characters using the Clipping Layer selection.

Furthermore, you tin also change the Layer blending modes (the drop-down carte on the Layer palette) such as Overlay or Soft Light, to conform the color. Then use the airbrush tool to smooth things over and requite the illustration a softer await.

Extra Tips: Diffusion & Glow

Use the Merge Visible to new Layer command to merge all the layers to a new layer. And so, make a duplicate.

By applying Gaussian mistiness on the pinnacle layer (spend some time playing with the settings to find the correct level for your illustration) and decreasing the opacity by about 20 – 40%, you lot can soften the illustration even more than.

To go a glowing consequence, select the duplicated layer, and change its blending way to Screen.

Utilise the Tone Bend command and conform the bend downwardly.

Then apply the Gaussian mistiness I explained earlier and decrease the opacity by about twenty – xl%.  Et voila!

I'll share one terminal underground with y'all to brighten up the feel of the illustration. If yous create a new layer above all your other layers and change the blending manner to Screen, and so use the airbrush to add a light color around the edge of the sheet, it makes the image brilliant and shiny every bit if there is light shining through the air!

Have a look at the final illustration and download the file hither.

Source: https://www.clipstudio.net/how-to-draw/archives/162911

Posted by: tiradomanter.blogspot.com

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